First, using a (jraw trie tow of the leaf as the right and loft sdes of leaves and grass arc symmetric As a basic rule, «Wider and draw leaves and rsss like the illustration on theġ. ILÊ8V8S and grass have two sides shattoflZK depending on the angle, you I igh: want to show the I jctersde. !:re grass is a large sized te/iihg, the principles for ijwng leaves can be applied. c a T, the drawing could inn up being confused and I miscuous thus, it is cest :o handle back areas t| jsng couble pass lines lares going for a I fttorblance than actual I realty.Then» draw an Put some thought into intersecting curved line. Then ail you have to do is just make Drawing A somewhat more complex.Ģ. The basic schoo' of thinki ng is represented in Drawing A. ![]() Drawing all the tees would be quite an risking and difficult to rehend.Īs for the case of weeds. the easy part is wai is up front and the tfcult part is what is in Ito back. Simply speaking, consider gradation effects and how to apply them. Finally, consider adding branches that look like real tree branches and draw. When applying pen techniques to the overall form, keep the gradation effect in mind. An example is given on the right on how to manage the technique of bringing out the sense of three-dimensionality in the tree. Since the trunk of a tree is cylindrical in nature, be sure and draw it so it doesn't look flat when applying management techniques. Using effects like double pass horizontal lines skillfully used in thickets of trees and grass can increase your variations and render effects like an oil painting. Try drawing while thinking about the fundamental mechanisms Involved. The key to handling the black is to be aware of thp how ■the black is applied to the tip of the leaves and the openings between the leaves that can be seen in the offshoots from the branch. Sometimes the entire tree can be treated with black. The thinking behind Drawing B is that pen touches are added to the shaded areas of the tree. ![]() ![]() It is also a good idea to think about the contrast of the colors in the shadows.Īdding black to the shadow areas is also a good idea. The first simple and easy method to handle this is to use pen touches. As a basic rule, at first you need to consider the structure of trees. Since trees often appear in street scenes giving you plenty of chances to draw them, try to remember a few of these management techniques. You need to consider methods to make the drawing look enough like nature.ĭrawing A - leaves gather at 66 the end of the branches. Drawing nature is extremely difficult so you can't go and draw every leaf on every tree and every blade of grass.
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